Movies
Film Review: “Room 237” Offers Few Insights Into Stanley Kubrick’s “The Shining”
April 11, 2013 | Jonas PaslauskasRoom 237 is almost exactly what I thought it would be. I had huge reservations about seeing it, as The Shining is one of my favorite films and Stanley Kubrick is one of my all-time favorite directors. Read More
Never Mind the Oscars, Here are the Top Five Movies of 2012
February 27, 2013 | Jonas PaslauskasWith the 2013 Oscars come and gone, here’s a look back at five intriguing 2012 films. Whether they have been nominated multiple times or utterly overlooked at the Academy Awards, here are – in no particular order – five movies that merit recognition for their boldness, conviction, and innovation: Kathryn Bigelow’s Zero Dark Thirty, Quentin Tarantino’s Django Unchained, Steve McQueen’s Shame, William Friedkin’s Killer Joe and the Wachowski siblings’ Cloud Atlas.
2013 Oscars: The Onion’s High-Tech Lynching of Beasts of the Southern Wild Star Quvenzhané Wallis
February 25, 2013 | Eric ShapiroDuring the 2013 Academy Awards ceremony (sorry, the Oscars), satirical publication The Onion set Twitter ablaze with an outrageous – and, many claim, racially-charged – tweet about 9-year-old Beasts of the Southern star Quvenzhané Wallis. And just what were those 17 inflammatory words that sparked such an uproar on the night of the Oscars?
“Zero Dark Thirty” Review: Torture Controversy in bin-Laden Raid Movie Absurd
January 15, 2013 | Eric ShapiroDirector Kathryn Bigelow and screenwriter Mark Boal have caught a lot of flack for their portrayal of torture in Oscar-nominated film Zero Dark Thirty, detailing the operation that resulted in the death of 9/11 mastermind Osama bin-Laden. Ultimately, the controversy says a lot more about the state of Hollywood than it does about the film.
Bigelow handles the loaded issue of torture in a manner in line with her cinematic vision, as witnessed in prior films such as 2008’s The Hurt Locker. That being said, her latest movie harbors, if anything, an anti-torture message, although it requires a bit of discernment on the part of her audience to notice. Fortunately, the Flatiron Hot! News critic is on hand with 800 words of discernment.
Flatiron Hot! Review: Quentin Tarantino’s Django Unchained
January 4, 2013 | Eric ShapiroThere’s something to be said for an artist who is out to please only himself. But when the product of the ensuing creative narcissism is so arcane as to be unfathomable to those who do not share the artist’s fetishes, then it is deprived of a certain universal quality present in the greatest of art. It has long been said that Quentin Tarantino has abandoned making movies in the traditional sense and has instead taken up the postmodern indulgence of making movies about movies.
To an extent, this has been the case since Pulp Fiction and Reservoir Dogs. Tarantino’s most critically acclaimed and greatest cinematic achievements possessed more than a few elements of pastiche. But beneath all the allusions and arcane stylistic flourishes, one could still discern a beating heart. With Death Proof, which Tarantino correctly deemed his creative low point, the director completely abandoned any pretense of traditional cinematic ambitions with breakneck style over substance.
Flatiron Hot! Critic: The Hobbit: An Unexpected Journey
December 28, 2012 | Shaun PersaudJ.R.R. Tolkien’s fantasy novel, The Hobbit, has captured the imaginations of young readers for decades. Therefore, in typical Hollywood fashion, the novel has been adapted for the big screen in three separate parts. The first installment of the series, The Hobbit: An Unexpected Journey, was directed by the famous Peter Jackson (with a screenplay co-written by Guillermo del Toro), who garnered worldwide acclaim for his film adaptions of Tolkien’s Lord of the Rings trilogy.
Flatiron Hot! Critic – Movie Review: Life of Pi
November 29, 2012 | Eric ShapiroIn a way, Yann Martel’s Life of Pi was the perfect novel to adapt into a film. Its pages are loaded with the kind of spectacle, self-consciously weighty themes and timeless quality that lends itself well to the Hollywood blockbuster treatment.
The Dilemma of The Brainy Sci-Fi Blockbuster (BSFB): Looper
November 14, 2012 | Eric ShapiroFlatiron Hot! Critic on those Sci-Fi BLockbusters …
Like many Brainy Sci-Fi Blockbusters (BSFBs), Looper begins with an emphasis on its intellectual side. The film’s basic premise is that in the distant future, crime syndicates have devised a new, foolproof way of making their enemies disappear: sending them back in time to be executed by agents known as Loopers. The moral implications of this concept bring up interesting thematic possibilities.
The Dilemma of the Brainy Sci-Fi Blockbuster (BSFB) Part 1
November 8, 2012 | Eric ShapiroThe Flatiron Hot! Critic deconstructs the Sci-Fi Blockbusters – Part 1 …
One can select any number of summer blockbusters to support the cliched assertion that Hollywood has lost its magic. Loud, flashy, and utterly bereft of such cinematic staples as storytelling, characterization and directorial vision, the films in question are unashamedly tailored to deliver the biggest possible adrenaline rush to the widest swath of the testosterone-fueled young male demographic.