Opinion and Commentary
Furthering the Legacy: How President Obama Can Live up to MLK’s Dream in His Second Term
January 21, 2013 | Eric ShapiroDespite the re-election of an African American president, it is ludicrous to claim Martin Luther King’s social philosophy, a historically-rooted mix of political and theological precepts that combines the best of the liberal American tradition with Ghandhian non-violence and civil disobedience, has been fully realized.
Justified Season 4 Premiere: Recap/Review
January 16, 2013 | Eric ShapiroSeason 4 of FX’s Justified starts out just as long-time viewers of the series should expect it to: with a bang (in both senses of the term) and a whole lot of style. At this point in the TV show’s lifespan, the writers and the actors have nailed every character down to the most minor vocal cadences. It’s a credit to the amazing talent behind Justified that its season premiere can hook us while offering no more than a few tantalizing hints about the overall narrative direction. Elmore Leonard couldn’t ask for a better adaptation of his novels.
“Zero Dark Thirty” Review: Torture Controversy in bin-Laden Raid Movie Absurd
January 15, 2013 | Eric ShapiroDirector Kathryn Bigelow and screenwriter Mark Boal have caught a lot of flack for their portrayal of torture in Oscar-nominated film Zero Dark Thirty, detailing the operation that resulted in the death of 9/11 mastermind Osama bin-Laden. Ultimately, the controversy says a lot more about the state of Hollywood than it does about the film.
Bigelow handles the loaded issue of torture in a manner in line with her cinematic vision, as witnessed in prior films such as 2008’s The Hurt Locker. That being said, her latest movie harbors, if anything, an anti-torture message, although it requires a bit of discernment on the part of her audience to notice. Fortunately, the Flatiron Hot! News critic is on hand with 800 words of discernment.
Best Tracks of 2012: Bob Mould’s “Star Machine”
January 14, 2013 | Eric ShapiroAfter reading Husker Du frontman Bob Mould’s tell-all tome, See a Little Light: the Trail of Rage and Melody, I got the impression of a man who had, at long last, cast aside the baggage of his early life and reached a basic level of contentment. The title of his latest album, Silver Age, does indeed seem to indicate that the notoriously angst-ridden songwriter has entered a new phase of his life and career. However, anyone looking for a mellower Mould to emerge on his new LP is in for a surprise.
Review: Illuminating Traumas of Slavery, August Wilson’s “Piano Lesson” Strikes Core of American Identity
January 9, 2013 | Eric ShapiroAugust Wilson is often referred to as one of the greatest African American playwrights of the 20th century. He also happens to be one of the greatest playwrights, period. Last night, the Flatiron Hot! News critic saw the latest revival of the Pulitzer Prize-winning “The Piano Lesson” (premiered in 1987 at the Yale Repertory Theater) at the Signature Theatre. The play is not only a poignant snapshot of the African American experience in the 1930s, but an overall sublime work of art relevant to Americans of all races.
New York Times’ Louis David Seidman Right to Oppose Constitutional Originalism, Wrong to Trash U.S. Constitution
January 7, 2013 | Eric ShapiroOn December 31st, The New York Times published an editorial titled: “Lets Give up on the Constitution.” The Flatiron Hot! Pundit respectfully disagrees. Whether you consider yourself an adherent of Constitutional Originalism or subscribe to the notion of a living Constitution, America’s founding document is a bedrock of U.S. politics that has done more good than harm over the course of nation’s history. The Founders, particularly Thomas Jefferson, James Madison, Alexander Hamilton, John Adams and George Washington designed it to be highly adaptable, and it is this adaptability that has allowed it to keep pace with historical change.
Flatiron Hot! Review: Quentin Tarantino’s Django Unchained
January 4, 2013 | Eric ShapiroThere’s something to be said for an artist who is out to please only himself. But when the product of the ensuing creative narcissism is so arcane as to be unfathomable to those who do not share the artist’s fetishes, then it is deprived of a certain universal quality present in the greatest of art. It has long been said that Quentin Tarantino has abandoned making movies in the traditional sense and has instead taken up the postmodern indulgence of making movies about movies.
To an extent, this has been the case since Pulp Fiction and Reservoir Dogs. Tarantino’s most critically acclaimed and greatest cinematic achievements possessed more than a few elements of pastiche. But beneath all the allusions and arcane stylistic flourishes, one could still discern a beating heart. With Death Proof, which Tarantino correctly deemed his creative low point, the director completely abandoned any pretense of traditional cinematic ambitions with breakneck style over substance.
Flatiron Hot! Pundit: Video Games Not to Blame for Sandy Hook Shooting
December 28, 2012 | Eric ShapiroGamers with any passing interest in politics were likely counting down the days (or, perhaps, hours) before pundits and politicians alike cited violent video games as a motivating factor behind the horrific Sandy Hook Elementary School shootings in Newtown, Connecticut, that left 26 dead, including 20 young children. Why? Because the killer, 20-year-old Adam Lanza, was known to play violent video games.
Stay tuned … more to come from Flatiron Hot! …
May 31, 2012 | Eric ShapiroStay tuned for news and info about the happenings in the Flatiron District … sponsored by the New York City Seminar and Conference Center, the Flatiron District’s Value Technology Conference Center …