Review
Justified Season 4 Premiere: Recap/Review
January 16, 2013 | Eric ShapiroSeason 4 of FX’s Justified starts out just as long-time viewers of the series should expect it to: with a bang (in both senses of the term) and a whole lot of style. At this point in the TV show’s lifespan, the writers and the actors have nailed every character down to the most minor vocal cadences. It’s a credit to the amazing talent behind Justified that its season premiere can hook us while offering no more than a few tantalizing hints about the overall narrative direction. Elmore Leonard couldn’t ask for a better adaptation of his novels.
“Zero Dark Thirty” Review: Torture Controversy in bin-Laden Raid Movie Absurd
January 15, 2013 | Eric ShapiroDirector Kathryn Bigelow and screenwriter Mark Boal have caught a lot of flack for their portrayal of torture in Oscar-nominated film Zero Dark Thirty, detailing the operation that resulted in the death of 9/11 mastermind Osama bin-Laden. Ultimately, the controversy says a lot more about the state of Hollywood than it does about the film.
Bigelow handles the loaded issue of torture in a manner in line with her cinematic vision, as witnessed in prior films such as 2008’s The Hurt Locker. That being said, her latest movie harbors, if anything, an anti-torture message, although it requires a bit of discernment on the part of her audience to notice. Fortunately, the Flatiron Hot! News critic is on hand with 800 words of discernment.
Best Tracks of 2012: Bob Mould’s “Star Machine”
January 14, 2013 | Eric ShapiroAfter reading Husker Du frontman Bob Mould’s tell-all tome, See a Little Light: the Trail of Rage and Melody, I got the impression of a man who had, at long last, cast aside the baggage of his early life and reached a basic level of contentment. The title of his latest album, Silver Age, does indeed seem to indicate that the notoriously angst-ridden songwriter has entered a new phase of his life and career. However, anyone looking for a mellower Mould to emerge on his new LP is in for a surprise.
Review: Illuminating Traumas of Slavery, August Wilson’s “Piano Lesson” Strikes Core of American Identity
January 9, 2013 | Eric ShapiroAugust Wilson is often referred to as one of the greatest African American playwrights of the 20th century. He also happens to be one of the greatest playwrights, period. Last night, the Flatiron Hot! News critic saw the latest revival of the Pulitzer Prize-winning “The Piano Lesson” (premiered in 1987 at the Yale Repertory Theater) at the Signature Theatre. The play is not only a poignant snapshot of the African American experience in the 1930s, but an overall sublime work of art relevant to Americans of all races.
Flatiron Hot! Critic: The Hobbit: An Unexpected Journey
December 28, 2012 | Shaun PersaudJ.R.R. Tolkien’s fantasy novel, The Hobbit, has captured the imaginations of young readers for decades. Therefore, in typical Hollywood fashion, the novel has been adapted for the big screen in three separate parts. The first installment of the series, The Hobbit: An Unexpected Journey, was directed by the famous Peter Jackson (with a screenplay co-written by Guillermo del Toro), who garnered worldwide acclaim for his film adaptions of Tolkien’s Lord of the Rings trilogy.
Flatiron Hot! Critic – Theater Review: Richard Nelson’s “Sorry”
December 3, 2012 | Eric ShapiroFlatiron Hot! recently had the opportunity to attend Sorry, the third installment in a trilogy of plays by Richard Nelson, which also includes That Hopey Changy Thing and Sweet and Sad. The production bears all the hallmarks of solid off-Broadway theater. It is well-written, competently acted, and witty, replete with literary, poetic and dramatic references. The Public Theater, located on 425 Lafayette Street, is ideal for a production of this sort. Spare, intimate and unfussy in its layout, the historic venue hearkens back to a time when theater was about the rapport between actors and audience, not the indulgent sets and flashy effects that define modern Broadway.